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Jörg Maaß Kunsthandel | FINE ART | PHOTOGRAPHY | FAIRS & EXHIBITS

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Emil Nolde EN

Prices upon request.
kontakt@kunsthandel-maass.de

Emil Nolde

November 15 to December 6, 2024
Opening Reception: November 14, 5–7 pm

Our exhibition of prints Emil Nolde Werke 1906-1922 is dedicated to the particularly intensive creative phase of the important Expressionist.

It was during this period that most of Nolde's printmaking oeuvre was created.

Equally adept at woodcuts, lithographs and etchings and keen to experiment like no other artist of his time, Nolde delivers a graphic work on an equal footing with the paintings, watercolours and drawings.

Nolde explored all the technical possibilities of etching in order to achieve painterly and nuanced effects, he created masterpieces in woodcuts and used various exotic and sometimes coloured papers to perfect them, he varied the colour combinations of his lithographs so thoroughly that in the total edition of a sheet hardly one print was like the other.

The individuality of each individual print determines his work, not the duplication of the prints.
This individual approach to prints makes Nolde the outstanding artist in this medium.

Featured
KERZENTÄNZERIN Line and tonal etching. 1918. Schiefler/Mosel R 195 II Signed in pencil Emil Nolde lower right and titled by Ada Nolde Kerzentänzerin in the lower margin. A superb, fine impression, with a wonderfully varied tonal patchwork of the

KERZENTÄNZERIN
Line and tonal etching. 1918.
Schiefler/Mosel R 195 II
Signed in pencil Emil Nolde lower right and titled by Ada Nolde Kerzentänzerin in the lower margin. A superb, fine impression, with a wonderfully varied tonal patchwork of the background. On thick, smooth laid paper, with full margins. Some appealing traces of the working process on the verso.
262 x 220 mm (575 x 459 mm)

PROPHET Woodcut. 1912. Schiefler/Mosel H 110 Signed in pencil Emil Nolde lower right, titled by Ada Nolde "Prophet" in the middle of the lower margin. With several stamps from Stadtmuseum Dresden on the verso. On handmade greenish laid paper, wa

PROPHET
Woodcut. 1912.
Schiefler/Mosel H 110
Signed in pencil Emil Nolde lower right, titled by Ada Nolde "Prophet" in the middle of the lower margin. With several stamps from Stadtmuseum Dresden on the verso. On handmade greenish laid paper, watermarked tulip in circle.

Superb, rich, hand-printed impression with a strong relief on the verso. Especially in the corners, the black parts are effectively lightened and allow the pattern of the wood grain to show through. In the light areas on the cheeks and forehead, the surface of the woodblock is visable in the printing, creating a striking interplay between light and dark and a relief-like structure.
Circa 315 x 228 mm (415 x 298/304 mm)

SCHIFFE BEI WINDSTILLE Drypoint. 1907. Schiefler/Mosel R 71 II Signed and dated in pencil Emil Nolde 07. lower right, inscribed Kaltnadel lower left and titled "Ruhende Schiffe" lower center. With the printer s signature OFelsing gedr. within

SCHIFFE BEI WINDSTILLE
Drypoint. 1907.
Schiefler/Mosel R 71 II
Signed and dated in pencil Emil Nolde 07. lower right, inscribed Kaltnadel lower left and titled "Ruhende Schiffe" lower center. With the printers signature OFelsing gedr. within the image lower left. A superb impression on firm sturdy paper.
219 x 299 mm (406 x 509 mm)

GROSSE MÜHLE Color lithograph printed in black, blue and yellow. 1907/1915. Schiefler/Mosel L 23 II Signed in pencil Emil Nolde. lower right. Inscribed by Ada Nolde Probedruck lower left and titled "Große Mühle" in the lower margin. A brillian

GROSSE MÜHLE
Color lithograph printed in black, blue and yellow. 1907/1915.
Schiefler/Mosel L 23 II
Signed in pencil Emil Nolde. lower right. Inscribed by Ada Nolde Probedruck lower left and titled "Große Mühle" in the lower margin. A brilliant and richly-inked impression of this important lithograph, printed from three stones in black, blue and yellow. On firm, smooth wove paper, the colors bright and fresh.
510 x 340 mm (610 x 430 mm)

BOOTE Color lithograph. 1907/15. Schiefler/Mosel L 18 II Signed in pencil lower right Emil Nolde. Inscribed lower left Probedruck . Schiefler/Mosel record impressions in black (I) and impressions printed in 2 or 3 colours from 1915 (II). On

BOOTE
Color lithograph. 1907/15.
Schiefler/Mosel L 18 II
Signed in pencil lower right Emil Nolde. Inscribed lower left Probedruck. Schiefler/Mosel record impressions in black (I) and impressions printed in 2 or 3 colours from 1915 (II). On brownish firm wove paper.
322 x 495 mm (396 x 573 mm)

DAMPFER (GR. HELL) Etching. 1910. Schiefler/Mosel R 134 Signed in pencil lower right Emil Nolde. and titled Dampfer (gr. hell) . A very fine impression of this rare print, on chamois wove paper, verso with collectors mark (trefoil). 307 x 409 mm

DAMPFER (GR. HELL)
Etching. 1910.
Schiefler/Mosel R 134
Signed in pencil lower right Emil Nolde. and titled Dampfer (gr. hell). A very fine impression of this rare print, on chamois wove paper, verso with collectors mark (trefoil).
307 x 409 mm (500 x 620 mm)

HAMBURG, LANDUNGSBRÜCKE Strich - und Tonätzung. 1910. Schiefler/Mosel R 139 Signed in pencil lower right Emil Nolde. and inscribed in the lower margin Hamburg: Landungsbrücke . One of a total edition of 40 impressions. On laid paper watermarked

HAMBURG, LANDUNGSBRÜCKE
Strich - und Tonätzung. 1910.
Schiefler/Mosel R 139
Signed in pencil lower right Emil Nolde. and inscribed in the lower margin Hamburg: Landungsbrücke. One of a total edition of 40 impressions. On laid paper watermarked JWZANDERS.
310 x 410 mm (445 X 570 mm)

TÄNDELEI Woodcut. 1917. Schiefler/Mosel H 134 II (of III) Signed in pencil Emil Nolde lower right, titled "Tändelei" and inscribed by Ada Nolde II.1. lower left. A brilliant, rich and well-balanced hand-printed impression, with the wood grain

TÄNDELEI
Woodcut. 1917.
Schiefler/Mosel H 134 II (of III)
Signed in pencil Emil Nolde lower right, titled "Tändelei" and inscribed by Ada Nolde II.1. lower left.

A brilliant, rich and well-balanced hand-printed impression, with the wood grain used to enhance the image and a strong relief in the light areas. On firm wove paper.
310 x 230 mm (435 x 330 mm)

DAMPFER (GR. DKL.) Line- and tonal etching. 1910. Schiefler/Mosel 135 IV (of IV) Signed in pencil lower right Emil Nolde and titled in the lower center by Ada Nolde Dampfer (gr. dkl.) . One of at least 30 specimens of the fourth and final state w

DAMPFER (GR. DKL.)
Line- and tonal etching. 1910.
Schiefler/Mosel 135 IV (of IV)
Signed in pencil lower right Emil Nolde and titled in the lower center by Ada Nolde Dampfer (gr. dkl.). One of at least 30 specimens of the fourth and final state with the light-coloured recesses in the water.
304 x 406 mm (446 x 570 mm)